Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

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  • Why your favorite bench might be there to thwart a terrorist attack

    How do you make a public space inviting so people will gather, but also safe from the growing danger of attackers using vehicles to ram large numbers of people? Many cities have responded to such attacks with concrete bollards and other barriers. But designers and architects are increasingly innovating other options that protect people via planters, fountains, trees, bike racks, steps and traffic calming designs to stop or slow down vehicles.

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  • This Artist Residency Is Specifically Designed for Artists with Children

    Momm and Popp is a Detroit-area artist residency built to support artists with young children. Supports provided by Momm and Popp include access to child care, activities for children, and a financial stipend.

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  • The "Black Art Yearbook" Is Helping Contemporary Black Artists Make History

    Dario Calmese’s Black Art Yearbook captures candid portraits of curators, collectors, dealers and other people who support the creation of black art. In this way, Calmese is making a historical record of an exciting moment as well as commemorating people that are often marginalized or erased by the creation of ‘official’ art history.

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  • Uffizi Gallery's Vast Sculpture Collection Goes Online in Interactive 3D Scans

    A partnership between Venice’s Uffizi Gallery and Indiana University is providing new access to the Uffizi’s collection of ancient sculpture. The Uffizi Digitization Project provides a web interface for visitors to see the work in interactive three-dimension scans.

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  • Chicago Segregation Mapping Project Makes Real-Life Connections

    Photographer Tonika Lewis Johnson created a “Map Twins” project to bring together people from often strictly segregated sections of Chicago. Connecting people who live on the same number block of the north and south sides of a similar street, Johnson’s project makes visible the impact of neighborhood environment, people’s connections to their community, and the outlines of poverty in underserved parts of the city.

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  • What's Behind Buffalo's Public Art Boom?

    Buffalo’s Albright-Knox Art Gallery created the position of public art curator in 2014. Since then, a combination of public and private funding has created site-specific public art across the city bringing prominent artists to Buffalo as well as involving local artists and community members.

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  • Plaza Heralds New Era of Afrocentric Development in Seattle Neighborhood

    Central District, a historically black neighborhood in Seattle, is getting a makeover to better align it with its roots. Africatown is a nonprofit community land trust that is using its influence to bring Afrocentric design standards to the neighborhood as well as spurring economic development and construction of affordable housing. One real estate project includes a community mural, more gathering space for residents, and local government support.

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  • Affordable housing efforts in Loveland have become basis for statewide model

    Having made a commitment to commissioning and placing hundreds of pieces of public art, a Colorado city is now also making a commitment to artists. A 30 unit apartment building has been created with the purpose of providing artists with affordable housing and not pricing them out of living downtown.

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  • A New National Portrait Project Will Send 50 UK Artworks to the Cities and Towns That Gave Them Life

    In order to share jewels of its collection as well as place artwork in locations tied to its content, the National Portrait Gallery has initiated a new project to loan work to museums around England. The piece selected to loan is one that the artist or the sitter has a specific relationship to the museum or the place where the work will reside.

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  • A Gallery Of One's Own: How The Washington Women's Arts Center Created A Home For D.C.'s Creative Women

    The Washington Women’s Art Center, in operation from 1975 to 1987, was founded as a space to promote women artists away from the institutionalized misogyny of the art world. In addition to exhibitions, the Center also provided business classes and other educational opportunities regarding how to have an art career.

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