Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

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  • Beyond Hot Wings: How Architecture Is Helping Buffalo Make Its Comeback

    Buffalo uses its historic architecture to attract international visitors. The city offers tax credits to developers who remodel and renovate old buildings. The effort also helps attract young people back to the city.

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  • Mass tourism is ruining historic cities. Only government can stop it

    With tourism on the rise, governments are figuring out how to limit overcrowding and environmental damage. Replicable ideas include marketing beaches and other attractions off the beaten path, regulating hotels and vacation rentals, and even requiring that every tourist must be accompanied by a local guide.

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  • This Radical Bank Will Free People Of Debt By Literally Blowing It Up

    The Hoe Street Central Bank is an artist run project that raises money through events taking place in a former bank and sells prints designed to mimic paper money. Through the money they raise, the organization buys and eliminates private debt as well as makes donations to organizations affected by austerity measures.

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  • This Is What Democracy Looks Like

    Effective visual messaging doesn’t just make political candidates stand out, it can also entice unlikely voters to the polls. The key is to pick up on what people respond to and take risks, including by hiring design firms new to election work.

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  • Lessons From A School Without Walls

    A school near Copenhagen, Denmark utilizes a unique open floor plan - no walls and no separate classrooms - to help advance their mission of "personalized learning," a holistic approach to education that emphasizes student freedom and empowerment. While some students (and teachers) love the system, it isn't an approach for everyone; throughout the years it's been open, they school has made changes and adjustments using feedback and new ideas.

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  • This building designed to flood is a glimpse of things to come

    At a factory in Mumbai, clever design and “resilient architecture” join together to form the “Concrete Void,” a space designed to hold water during India’s monsoon season. Rather than trying to keep the water out, the architect designed the factory such that this Concrete Void, positioned below the higher level of the factory, holds water in the rainy season. In the off-season, it functions as an amphitheater space for workers to gather. As climate change becomes more of a threat, more types of this resilient architecture are expected to be created.

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  • Alternative museum tours explore colonial loot, biased narratives

    Uncomfortable art tours, long-term loans, and code of conducts, are all methods Europeans museums are using to confront the racist history behind paintings and artifacts in their exhibitions. They’re also trying to confront the unjust methods in which some artifacts have been taken from non-European countries. “While museums continue to argue that they are neutral spaces, the fact is that they are not. There is always one side of the story that has been privileged over the other in these spaces, and we need to be more honest and open about that.”

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  • Silo art becomes national movement and this is how it all began

    A project to paint murals on silos across Western Australia has brought artists from around the world for work. These murals--some 36 meters high--have created stunning public art and cultural tourism for often struggling small towns.

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  • The searing photos that helped end child labor in America

    In the 1900s Lewis Hine posed as a bible salesman so he could get inside factories and take pictures of child workers. At the time children from 10-15 were put to work, and had no legal protections. Years later his pictures became a catalyst for passing child labor laws.

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  • A New Orleans Museum Is Now Mobile, Transforming How People See Art

    The New Orleans Museum of Art is taking its holdings out of the museum and into public space through the use of a custom-built trailer. Called NOMA+, the trailer’s walls fold out creating walkways while interior walls create an exhibition space for an intimate, self-contained way for the public to engage with the art.

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