Artwork stating 'Education Destroys Barriers', 'We Demand Treatment', and 'I Need A Chance'

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  • Can this rural town go from a youth exodus to an art epicenter?

    A nonprofit called Epicenter uses small-scale architecture and design projects to bring new life to Green River. The town of 950 people has experienced a loss of mining and other jobs. Ambitious young people typically move elsewhere to build their futures, but that may be changing. Epicenter repairs local buildings and is behind a variety of other projects such as a welcome sign, art installations, and a mountain bike trail.

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  • Theatres seek help from 'intimacy experts' in the wake of #MeToo

    In order to respond to sexual harrassment allegations against prominent members of the Australian theater community, directors, unions, and companies have collaborated on a new code of conduct. The code includes a ‘safe conversations officer’ acting as an ombudsman, intimacy training for employees, and ways to reduce a company or production’s reliance on one actor for financial security.

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  • URMC artist in residence fights stigmas with portraits

    Painter and performance artist Charmaine Wheatley creates portraits with the goal of humanizing people with parts of their life that are misunderstood or stigmatized by others. For the “Humanizing is Destigmatizing” project, Wheatley is an artist in residence at the University of Rochester Medical Center creating portraits of people with HIV and mental health diagnoses.

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  • How to Build a Better Jail

    New York is shutting down the infamously isolated jail on Rikers Island in order to remodel with a newfound focus on how to integrate the jail into the community. Based off of the success of similar projects which prioritize the inmates environment in order to influence improved behavior, the outlook for Rikers Island also aims to incorporate needs of surrounding residents as well.

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  • What It Means for ICA Philadelphia to Become the First WAGE-Certified Museum—and Why Other Institutions Should Care

    The organization Working Artists and the Greater Economy (WAGE) works with non-profit arts organizations to establish fair payment for artists. WAGE established a fee structure for 15 categories of artistic labor with a sliding scale based on the organization’s total operating expenses. Organizations that adhere to the fee structure are WAGE ‘certified.’

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  • The rebel bank, printing its own notes and buying back people's debts

    How is Street Central Bank buying back the debt of ordinary people? Part art installation and part charitable endeavor, the “bank” prints its own money, sells it for real tender and then uses the funds to help neighbors. The project draws inspiration from similar debt buyback efforts in the United States.

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  • They Risked Their Lives To Bring Music Back

    With the extremist group Al-Shabab active in the country, music has been a source of trauma for Somalis with music banned in Shabab controlled territory and musicians assassinated. A reality show centered around musical performance is hoping to bring music back into public life.

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  • 'We exist': Public art project gives India's transgender community a voice

    The Aravani Art Project is a project that works to raise the visibility and voice of the trans community in India. It does so by employing them to paint murals across the country (and even one in Sri Lanka) featuring slices of life as a trans person. It took time to build trust with the community at first, but eventually the people behind the project developed a system of idea conception to realization with their participants. Over time they have developed long-term relationships with each other, and the trans community is slowly becoming comfortable with having a public voice.

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  • What if what really matters in fighting crime is how well you know your neighbor?

    It turns out the old adage of knowing your neighbor really can help make your neighborhood safer. A study of more than 250 cities found that a key factor behind a drop in crime in the last 20 years was the mobilizing of citizens by nonprofit organizations like block clubs. In Milwaukee these “urban guardians” have helped bring communities together and foster safer spaces that also address urban blight.

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  • The Road To Hell Is Paved With Good Intentions — And Broken Toilets

    In order to create a larger role for aid recipients in conversations about how success and failure are defined for international aid, the What Went Wrong project was founded. People use mobile phones to contact the journalists about a failed aid project, and the journalists gather information about the project, publish reports on social media, and share their findings with the people who originally reported.

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