Vancouver Pays Tribute to Chinese Canadian History Amid Spike in Anti-Asian Racism

Soil collection ceremonies offer a meaningful way to help cope with and create institutional memory of racial violence across the United States. The Equal Justice Initiative is working to keep the victims of lynching and racial violence alive in America’s collective memory by promoting a practice common across cultures—the collection of soil. Communities collect soil from sites of racially motivated killings into jars, which are then displayed at the National Memorial for Peace and Justice and Legacy Museum in Montgomery, Alabama.

Contextualizing artistic representations creates more complex narratives and offers an opportunity to educate about historical memory. The Atlanta History Center has opened an exhibition that illuminates the absence of people of color in the “Battle of Atlanta” Cyclorama, an artwork that celebrates the 1864 Union victory. The museum presents the work alongside interactive guides and films that explain the erasure of African Americans from the memory of the scene.

The U.S. Board of Geographic Names and the Oregon Geographic Names Board are changing offensive and racist geographic place names in the state. When looking to change a name, the boards reach out to community members and experts for recommendations. They also review new name proposals that locals submit for both unnamed and named locations.

Coming to terms with the past requires reexamining the way we represent both history and art. The Chrysler Museum in Norfolk, VA, is on the forefront of correcting the absence of enslaved craftsmen in representations of art. The museum’s exhibit on the architectural work at Thomas Jefferson’s Monticello home presents a fuller story by illuminating the presence and work of enslaved laborers.

Reassessing representations creates an opportunity for educational experiences. Instead of simply removing a problematic diorama depicting members of the Lenape tribe and Dutch colonists, the American Museum of Natural History in New York, NY, converted the piece into a learning experience for visitors. Following pressure from groups like Decolonize this Place, the revised diorama now features panels that illuminate and discuss misrepresentations in the piece.

The Fayette County Traveling Museum collects, preserves, and shares Uniontown’s Black history. The owners sift through archives, libraries, and donated boxes of materials, which are displayed as educational resources. The museum, which before COVID-19 was set up at schools and churches, details the early history of African Americans, both enslaved and free, the town’s Underground Railroad stop, prominent Black community figures, and the area’s Klu Klux Klan presence. Video and oral histories of older residents also encourage young people to explore their history and make the information more accessible.

In an effort to combat racial injustice, former plantations are shifting the narrative typically given on tours to focus on the lives of the enslaved who once lived there instead of enslavers who owned the plantations. The initiative sprung from a need to accurately portray the history of slavery and better “inform the present.”

In Minnesota, volunteer chaplains are attending community events at the request of the participants to provide counsel and support to anyone who may be experiencing symptoms of trauma. Before attending any event to lend help, the volunteer "clergy, spiritual leaders and mental health leaders" first undergo a virtual cultural sensitivity and trauma training. During the events, the interfaith chaplains often perform volunteer duties, but also wear orange shirts to be easily identifiable for those who would like to share.

Volunteer groups such as Citizen Historians and Save Our Signs are documenting artifacts and displays at museums and national parks as the Trump administration moves forward with plans to modify or remove vital historical information. So far, Citizen Historians has taken more than 31,000 photographs in the Smithsonian museum system, while Save Our Signs has collected more than 10,000 photos of signs in national parks.

Play Cousins Collective helps Black youth build self-confidence and celebrate their identity and culture through hands-on activities, community building and access to free educational programs and therapy. Over 1,700 youth and families participated in the program last year.