How Soil Acts as a Living Witness to Racial Violence

During the COVID-19 pandemic, the Chinese Canadian Museum and the Chinatown Storytelling Centre both opened in Vancouver with the goal of documenting and honoring the role of Chinese immigrants in Canadian history. Roughly 13,000 people have visited each museum since their openings, and members of the Chinese Canadian community say the exhibits preserve important stories while acknowledging the harm Chinese Candians have faced.

Coming to terms with the past requires reexamining the way we represent both history and art. The Chrysler Museum in Norfolk, VA, is on the forefront of correcting the absence of enslaved craftsmen in representations of art. The museum’s exhibit on the architectural work at Thomas Jefferson’s Monticello home presents a fuller story by illuminating the presence and work of enslaved laborers.

Contextualizing artistic representations creates more complex narratives and offers an opportunity to educate about historical memory. The Atlanta History Center has opened an exhibition that illuminates the absence of people of color in the “Battle of Atlanta” Cyclorama, an artwork that celebrates the 1864 Union victory. The museum presents the work alongside interactive guides and films that explain the erasure of African Americans from the memory of the scene.

The Fayette County Traveling Museum collects, preserves, and shares Uniontown’s Black history. The owners sift through archives, libraries, and donated boxes of materials, which are displayed as educational resources. The museum, which before COVID-19 was set up at schools and churches, details the early history of African Americans, both enslaved and free, the town’s Underground Railroad stop, prominent Black community figures, and the area’s Klu Klux Klan presence. Video and oral histories of older residents also encourage young people to explore their history and make the information more accessible.

In an effort to combat racial injustice, former plantations are shifting the narrative typically given on tours to focus on the lives of the enslaved who once lived there instead of enslavers who owned the plantations. The initiative sprung from a need to accurately portray the history of slavery and better “inform the present.”

To mark the 100th anniversary of the Tulsa Race Massacre, in which a white mob killed hundreds of Black residents and destroyed the thriving neighborhood of Greenwood, the Centennial Commission supported a number of initiatives to learn from the past and build a better future. At the base of an ancient elm tree that witnessed the massacre, Up With Trees distributed 100 elm seedlings to children to plant around Tulsa. The commission convinced state education officials to develop a new curriculum on the massacre for K-12 students.

Reassessing representations creates an opportunity for educational experiences. Instead of simply removing a problematic diorama depicting members of the Lenape tribe and Dutch colonists, the American Museum of Natural History in New York, NY, converted the piece into a learning experience for visitors. Following pressure from groups like Decolonize this Place, the revised diorama now features panels that illuminate and discuss misrepresentations in the piece.

Ten Mile, a community in South Carolina settled by freed slaves after the Civil War, is fighting climate gentrification and flooding by preserving land through forestry projects, land trusts, and greenbelt initiatives. Saving green spaces this way maintains the character of the historic Black neighborhood while promoting flood resiliency.

The U.S. Board of Geographic Names and the Oregon Geographic Names Board are changing offensive and racist geographic place names in the state. When looking to change a name, the boards reach out to community members and experts for recommendations. They also review new name proposals that locals submit for both unnamed and named locations.

The African Jazz-Art Society & Studios (AJASS) kickstarted the Black is Beautiful movement with 1960s fashion shows elevating Black models with dark skin and full bodies, who agreed to keep their hair natural year-round. As events increased and photographs spread, and famous Black women adopted their style, natural hair became more normalized. The founders recently released a song called We Will Breath to empower black people to “take back control of the narrative surrounding their lives.” The group continues to inspire Black entrepreneurs, such as Rihanna, and encourages people to support Black businesses.